Carnegie Mellon's Center for the Arts in Society presents CAS Research Forum Tuesday, April 22- 4:30 PM |
![]() |
That Gustave Courbet (1821-76) drank beer would have had a minor, anecdotal value in the history of his artistic career if his contemporaries had not turned his taste for the drink into the crux of a cultural, perhaps even ethnic interpretation of Realism. When his sometime champion, the writer Francis Wey, attributed Courbet’s self-indulgence and the decadence of his painting to the artist’s acquaintance with Nordic barbarians who preferred beer, he brought to a head several decades of material and symbolic associations. Join us as Professor Desbuissons argues that what was at stake in Courbet’s painting and his consumption of beer were one and the same: the betrayal of French classicism.
|